***

As we all know, Father Time remains undefeated, and once our happy time on this shit show comes to its merry conclusion, and we’re greeted by those entities attending Heaven’s gate with their profuse apologies that we had to endure years and years of varied and psychotic nightmares brought on mostly by others, one of the many things we’ll be grateful about as we pass through the pearly gates is that we won’t be sharing soul-space with psychofucks like these:

Top FDA Officials Took High-Paying Big Pharma Jobs after Approving Covid Shots – via slaynews.com

Several former officials with the U.S. Food and Drugs Administration (FDA) took high-paying jobs with pharmaceutical companies after playing key roles in pushing those Big Pharma firms’ Covid shots through the regulation process.

The “revolving door” was exposed during an investigation by the renowned peer-reviewed British Medical Journal (BMJ).

The discovery is reminiscent of former FDA official Curtis Wright IV.

Wright played a central role in the FDA’s approval of the dangerously addictive opioid OxyContin for Purdue Pharma in 1995.

Shortly after, he left the FDA for a job at Purdue and a massive salary with the company.

Now, the BMJ has just uncovered evidence to suggest a similar scenario may have played out with the approval of Covid shots, specifically Moderna’s mRNA injection.

Two high-level regulatory officials with the FDA involved in vaccine oversight accepted jobs at Moderna just months after signing off on the licensure of the company’s COVID-19 vaccine.

According to the BMJ investigation, these FDA officials were central to the shots being approved for public use.

After their vaccines were approved for public use, Big Pharma companies earned billions of dollars in profits from sales of the injections.

The report on the investigation was authored by Peter Doshi, associate professor at the University of Maryland School of Pharmacy and senior editor at The BMJ.

The investigation has exposed a long-standing revolving door between the FDA and pharmaceutical companies whose products it regulates and raises questions about the impartiality and independence of top FDA regulators.  (full article)

But pushing Big Pharma’s injections of chemical goo has paid off…right?

U.S. Government confirms 1433x increase in Deadly Cancer Cases due to Covid Vaccination – via expose-news.com

Cancer begins when genetic changes interfere with the normal replication and replacement of cells in the body. Cells start to grow uncontrollably and may form a tumour. It is the No. 2 leading cause of death in the United States.

Unfortunately, it appears the disease may be on the rise thanks to the experimental Covid-19 injections. Because official U.S. Government data confirms the risk of developing cancer following Covid-19 vaccination increases by a shocking 143,233%.

(worth reading in full)

Experts agree, that though we might envision a heaven that is free from the shit stains of our generations who brought innocents continued filth, and their eternal 6′ by 8′ might have the sounds of ‘Last Christmas’ by WHAM! on a loop for eternity, along with their eyes clipped permanently open, forcing them to watch ‘The Golden Bachelor’ over and over again, those who didn’t believe in any type of justice for these degenerates in this life, might be enjoying the same type of eternal accommodations in the next…just with the added fragrance of the dankest of feet sifting into their cells from the ventilation systems on the lake shore condominiums at Lake Gehenna.

***

Tonight’s musical offering:

Bach – Allegro from Violin concerto in E major BWV 1042 – Sato | Netherlands Bach Society

Bach opens his Violin concerto in E major, recorded here for All of Bach with Shunske Sato, with a festive triad. The simple but catchy motif reminds of the music of his Italian colleague and inspiration Vivaldi. In any case, Bach based the piece on the Venetian concerto model in three movements, but gave it his own twist, as each movement has an un-Italian characteristic. For instance, the Allegro was given an ABA structure, like most of the Baroque arias, whereby the first section returns with great embellishment after a contrasting second section. And like in many of Bach’s arias, the soloist frees himself from the ensemble ‘before his turn’, in brief anticipation of his solo. – Netherlands Bach Society