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Biden Admits to Reporters His Mask Is Just for Show: ‘Don’t Tell Them I Didn’t Have It On’ – via slaynews.com
Democrat President Joe Biden suggested to reporters that his 2024 election mask is just for show when he walked into a press conference without wearing the face covering.
As he approached the presidential lectern during a press conference, Biden was carrying the mask in his hand.
He then told reporters in the room not to “tell them I didn’t have it on” before placing the muzzle on his face to begin the press briefing.
“Let me explain to the press, I’ve been tested again today,” Biden said Wednesday.
“I’m clear across the board, but they keep telling me – because this has to be 10 days or something – I gotta keep wearing it [the mask].
“But don’t tell them I didn’t have it on when I walked in,” he added, prompting laughter among the corporate media hacks in attendance.
However, despite Biden’s insistence that he didn’t need it, he put on the mask to begin the press briefing to ensure the American people saw him wearing it. (read more)
Fits perfectly in clown world. Isn’t almost everyone a show these days and have been for the last 3+ years?
Ah, but their ‘show’ has brought so many things to so many people, right?
Mask study published by NIH suggests N95 Covid masks may expose wearers to dangerous level of toxic compounds linked to seizures and cancer – via daily.mail.co.uk
The surgical N95 mask has been held up as the gold standard when it comes to protecting against Covid.
But a study quietly re-shared by the National Institutes of Health in spring suggests the tight-fitting mask may expose users to dangerous levels of toxic chemicals.
Researchers from Jeonbuk National University in South Korea looked at two types of disposable medical-grade masks, as well as several reusable cotton masks.
The study found that the chemicals released by these masks had eight times the recommended safety limit of toxic volatile organic compounds (TVOCs).
Inhaling TVOCs has been linked to health issues like headaches and nausea, while prolonged and repeated has been linked to organ damage and even cancer. (read more)
Think back to yesteryear 2020 to remember those who thought the world might end if each and every one of us didn’t do our bit, you know, virtue signal the bejesus out of ourselves, showcasing our stupidity, ignorance and complete lack of common sense by wearing a covering over those body parts which allow us to inhale and exhale. Brilliant! So what if there wasn’t any proof the face diapers didn’t work as these clowns said they would or should. So what if others might suffer a little. We felt good about ourselves and beamed with pride seeing photos of our mugs, covered by a nice little mask of toxic shit!
So cool!
And more results of the ‘show’:
German drug regulatory authority admits that so many adverse effects from covid injections were reported that the purpose-built app couldn’t cope
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Today’s musical offering:
Beethoven | Rondo a capriccio Op.129 “Rage Over a Lost Penny”
The manuscript of Beethoven’s sprightly and charming rondo entitled Rondo alla ingharese quasi un capriccio was “lost” for nearly one hundred and twenty years. Today it is a favorite of pianists, to be used as a graceful encore, but during Beethoven’s lifetime, it is unlikely to have been heard on any stage. The manuscript, apparently incomplete, was found among Beethoven’s belongings after his death in 1827.
The following year, it was published by his friend, colleague, and publisher Anton Diabelli, who reportedly concealed the fact that the composition appeared to be unfinished. After the 1828 publication, the manuscript disappeared and was only rediscovered in the USA in 1945. This time it was found among the belongings of a lady named Noble, who had kept it in her possession for at least 20 years. And indeed, the original shows some discrepancies with the later versions of the Diabelli edition, all based on it.
In any case, with the discovery in hand, it was possible to know the time of the piece’s composition, since the manuscript, in its last pages, contains sketches of works of known date, the years 1795-98. Thus it could be concluded that the rondo belonged to the same period. It is the work of a Beethoven in his twenties, approaching his thirties, living in Vienna for at least three years.
The piece is also known by the curious title “Rage over a lost penny, vented in a caprice”. The words appear written in the manuscript but not by Beethoven’s hand. It is speculated that they could be the work of his friend and first biographer Anton Schindler, who was known for often taking liberties with his famous friend, which led more than once to angry, though transitory, disagreements.
Fantasizing that the master had indeed drawn inspiration from a fit of passing anger, Robert Schumann (who by Beethoven’s death was 17 years old) would later write “…it would be difficult to find anything more cheerful than this Caprice… It is about the kindest, most harmless anger, similar to what one feels when one cannot take one’s foot out of one’s boot.”
Marked allegro vivace, the rondo combines the traditional outline of the form with Beethoven’s unique inventiveness for variations. – via labellezadeescuchar.com
Dispatches from the Asylum 